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                <text>Illustrations of Shakspeare [sic]</text>
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                <text>Thurston, John</text>
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                <text>These nineteenth-century wood engravings with captions demonstrate a type of storytelling akin to today’s graphic-novels. Every play has six vignettes with a line from the play followed by scene number.</text>
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                <text>University of Miami Libraries, Special Collections, Special Collections Books, ASC9999.  http://catalog.library.miami.edu/record=b2057129~S11; http://merrick.library.miami.edu:80/cdm/ref/collection/exhibits/id/71</text>
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                <text>The Plays of William Shakespeare in Fifteen Volumes with Corrections and Illustrations of Various Commentators to Which are Added Notes by Samuel Johnson and George Steevens</text>
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                <text>This landmark edition contains 150 illustrations and is commonly referred to as “Steevens’ own edition.” Literary editor and Shakespearian expert George Steevens (1736-1800) was a renowned scholar of Elizabethan literature and accumulated a large personal library, many volumes of which are now held by the British Museum.</text>
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                <text>T. Longman, B. Law and Son</text>
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                <text>Miss F. A. Kemble</text>
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                <text>An item from the Fanny Kemble Playbill Collection documenting Kemble's early years on the English stage.</text>
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                <text>Raphael Holinshed intended his “universal cosmographie” to serve as both a comprehensive geographical and historical description and a testament to the growing influence and prestige of English scholarship. This edition was heavily censored after publication because of its controversial interpretation of political events of the time. It has been recognized as one of Shakespeare’s most important sources. Shakespeare gleaned the basic plots of nearly all of his historical plays from Holinshed, including King Lear, Macbeth, and Cymbeline.</text>
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