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                <text>Shakespeare's Comedy of The Tempest; With Illustrations by Edmund Dulac</text>
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                <text>Edmund Dulac garnered great success as a commercial illustrator in the early twentieth century, and was considered a prominent participant in the Golden Age of Illustration (ca.1880-1920) which was influenced by Pre-Raphaelites, Art Nouveau, and the Arts and Crafts Movement. He contributed regularly to Pall Mall Magazine and supplied watercolors for the novels of the Brontë sisters, among other popular novelists of the time. However, this publication played a major role in establishing Dulac as an important figure in book illustrations.</text>
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                <text>University of Miami Libraries, Special Collections, Special Collections Books, ASC9999.  http://catalog.library.miami.edu/record=b4609032~S11, Book plate between pages 74 and 75; http://merrick.library.miami.edu:80/cdm/ref/collection/exhibits/id/74</text>
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                <text>Fanny Kemble was born into a theatrical family; her mother was a famed actress and her father was the manager of the Covent Garden Theatre in London. Kemble established a reputation as one of the greatest actresses of her time in England and in America. These items from the Fanny Kemble Playbill Collection document Kemble’s early years on the English stage.</text>
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                <text>University of Miami Libraries. Special Collections, Fanny Kemble Playbill Collection,  ASM0169. http://proust.library.miami.edu/findingaids/index.php?p=collections/findingaid&amp;id=1407; http://merrick.library.miami.edu:80/cdm/ref/collection/exhibits/id/73&#13;
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                <text>Raleigh wrote this history while imprisoned in the Tower of London from 1603 to 1616 for his alleged role in the plot to remove King James I from the throne. It was published after his first expedition to the New World. Masked within the recounting of these ancient stories are subtle warnings about the political situations taking place in England during the seventeenth century. Consequently, the book was suppressed.  The illustrations on the title page can be interpreted using the key on the facing page. Raleigh, a poet, explorer, soldier, and courtier, was a contemporary of Shakespeare and lived an adventurous and swashbuckling life.</text>
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                <text>University of Miami Libraries, Special Collections, Special Collections Books, ASC9999.  http://catalog.library.miami.edu/record=b1154959~S11; http://merrick.library.miami.edu:80/cdm/ref/collection/exhibits/id/72</text>
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                <text>These nineteenth-century wood engravings with captions demonstrate a type of storytelling akin to today’s graphic-novels. Every play has six vignettes with a line from the play followed by scene number.</text>
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                <text>University of Miami Libraries, Special Collections, Special Collections Books, ASC9999.  http://catalog.library.miami.edu/record=b2057129~S11; http://merrick.library.miami.edu:80/cdm/ref/collection/exhibits/id/71</text>
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                <text>The Plays of William Shakespeare in Fifteen Volumes with Corrections and Illustrations of Various Commentators to Which are Added Notes by Samuel Johnson and George Steevens</text>
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                <text>This landmark edition contains 150 illustrations and is commonly referred to as “Steevens’ own edition.” Literary editor and Shakespearian expert George Steevens (1736-1800) was a renowned scholar of Elizabethan literature and accumulated a large personal library, many volumes of which are now held by the British Museum.</text>
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