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EDITOR'S NOTE |
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Caribbean Currents: Navigating the Web and the Word, the 22nd
Annual West Indian Literature Conference, was hosted by Caribbean
Literary Studies, Department of English, University of Miami in
March 2003. The conference was also an occasion for marking key
developments in Caribbean Literary Studies at the University of
Miami since the Caribbean Writers Summer Institute of 1991-1996. |
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The first of these was the unveiling of the Caribbean Writers
Summer Institute Digital Archives, a project made possible by the
Digital Media Lab of the Otto G. Richter Library under the direction
of Jeff Barry, and the tireless efforts of Kathryn Morris, Andrea
Shaw, and Bryanna Herzog: http://www.as.miami.edu/cls/ |
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Another key development in Caribbean Literary Studies at the
University of Miami is Anthurium, a biannual, peer-reviewed,
electronic Caribbean studies journal. An announcement was made at
the spring conference and a call for papers was issued to participants
and posted to the Caribbean Literary Studies website. An entirely
web-based journal, Anthurium provides contributors with an
opportunity to make their creative writing and their scholarship
freely available to a worldwide audience. |
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This inaugural issue is the first of several that are broadly
based on the conference theme “Navigating the Web and the
Word.” It is edited with Andrea Shaw and Prudence Layne, Caribbean
Literary Studies coordinators of that conference. Thanks to the
generosity of Kamau Brathwaite who delivered the keynote address
at the conference in March, we are able to dedicate this issue exclusively
to his work. Over the course of the summer, Kamau Brathwaite devoted
his time and creative energies to developing his keynote address
for our new publication. The result is “Namsetoura & the
Companion Stranger” which promptly became the cornerstone
of our first issue. |
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Brathwaite’s “Namsetoura” is followed by three
critical essays on Brathwaite’s work by Kelly Baker Josephs,
Anna Reckin and Loretta Collins, all conference participants. While
none of these scholars had read “Namsetoura” at the
time of writing and revising their essays for publication, there
is a lot to learn about ways of reading Brathwaite’s new work
from each of them. Though Josephs’s frame of reference is
primarily X-Self, while Reckin’s is History of the
Voice, Barabajan Poems, and ConVERSations with Nathaniel
Mackey, and Collins’s is “Meridian” and Ancestors,
all three essays develop analytical approaches that further an understanding
of the core values of Brathwaite’s distinctive Sycorax video
style, his concept of the tidalectic, and the remarkable coherence
of his corpus. |
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Publishing Brathwaite and editing essays on his work presented
a particular challenge to the editors of Anthurium who wished
to preserve the visual integrity of Brathwaite’s work on the
page. In one sense, reproducing “Namsetoura & the Companion
Stranger” was easily accomplished because, despite the countless
variations of Brathwaite’s Sycorax video style, the technology
required was readily available through the use of Adobe Acrobat
(*.pdf). Since the rest of the journal is produced in HTML, the
task of synchronizing the variety of fonts used to reproduce and
approximate Brathwaite’s work in the critical essays presented
yet another challenge. After careful thought and consultation, it
was decided that the journal would use only variations of its standard
fonts in bold, italics, and capitals. It was argued that since all
attempts to approximate Brathwaite’s Sycorax video style would
be a misrepresentation of the original, this approach at least gave
us the advantage of uniformity and coherence, and eliminated the
risk of manipulating Brathwaite’s original texts beyond the
parameters stated here. |
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Our second issue will be released in April 2004. It will include
selected fiction, poetry, and critical essays submitted by participants
in the March 2003 conference. Meanwhile, we welcome submissions
from writers and scholars on all aspects of Caribbean life and culture.
Anthurium anticipates a broad spectrum of readers across several
allied disciplines wherever Internet access is available. In keeping
with our sense of mission, the editors ask that you spread the word
about our new journal to colleagues and friends so that we might
continue to entertain new submissions, new readers, and new friends.
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We also welcome your comments and suggestions about our format
and focus. Anthurium combines high quality academic standards with
the parameters of Internet publishing. Like the web-based Caribbean
Writers Summer Institute archives, Anthurium is produced with the
Digital Media Lab of the Otto G. Richter Library under the direction
of Jeff Barry, with technical support provided by Bryanna Herzog.
Sandra Pouchet Paquet |
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