TITLE INDEX

50 Word Stories: Glimpses, Opal Palmer Adisa. Vol 2, Issue 1 (Spring 2004).

1865 Bruk-Up, Opal Palmer Adisa. Vol 2, Issue 1 (Spring 2004).

Acknowledgements, Jennifer Rahim. Vol 5, Issue 2 (Fall 2007).

Afro-Cuban Tales by Lydia Cabrera, Lara B. Cahill. Vol 3, Issue 1 (Spring 2005).

An Arawak Speaks, Opal Palmer Adisa. Vol 2, Issue 1 (Spring 2004).

Another “Our America”: Rooting a Caribbean Aesthetic in the Work of José Martí, Kamau Brathwaite and Édouard Glissant, Raphael Dalleo. Vol 2, Issue 2 (Fall 2004).

“Big Fat Fish”: Hypersexualization of the Fat Female Body in Calypso and Dancehall, Andrea Shaw. Vol 3, Issue 2 (Fall 2005).

Bittersweet (Be)Longing: Filling the Void of History in Andrea Levy’s Fruit of the Lemon, Elena Machado Sáez. Vol 4, Issue 1 (Spring 2006).

Bondmen, William Walcott. Vol 3, Issue 1 (Spring 2005).

Book of Memory: A Rastafari Testimony by Prince Elijah Williams, ed. Michael Kuelker, Monique Bedasse-Samuda. Vol 3, Issue 1 (Spring 2005).

Bop Girl Goes Calypso: Containing Race and Youth Culture in Cold War America, Michael S. Eldridge. Vol 3, Issue 2 (Fall 2005).

Calypso and the Bacchanal Connection, Earl Lovelace. Vol 3, Issue 2 (Fall 2005).

The Calypsonian Returns: Rethinking Social Transformation in Earl Lovelace’s The Dragon Can’t Dance, Nadia I. Johnson. Vol 5, Issue 1 (Spring 2007).

Caribbean Chronotopes: From Exile to Agency, David W. Hart. Vol 2, Issue 2 (Fall 2004).

Caribbean Cultural Identity and the Art of Cactus Maintenance, Russell Redman. Vol 5 Issue 1 (Spring 2007).

Caribbean Slave Narratives: Creole in Form and Genre, Nicole Aljoe. Vol 2, Issue 1 (Spring 2004).

Caribbean Storytales: a Methodology for Resistance, Hanétha Vete-Congolo. Vol 5, Issue 1 (Spring 2007).

CARNIVAL CANNIBALIZED OR CANNIBAL CARNIVALIZED: Contextualizing the “Cannibal Joke” in Calypso and Literature, Gordon Rohlehr. Vol 3, Issue 2 (Fall 2005).

CHILD AH DE BIG BANG FORWARD HOME, Lelawattee Manoo-Rahming. Vol 4, Issue 1 (Spring 2006).

The Chinese in the Caribbean, ed. Andrew Wilson, Kathryn Morris. Vol 3, Issue 1 (Spring 2005).

The Chinese Shop as Nation Theatre in West Indian Fiction, Ann-Marie Lee Loy. Vol 5, Issue 1 (Spring 2007).

The Confessional Element in Naipaul’s Fiction, Gordon Rohlehr. Vol 5, Issue 2 (Fall 2007).

Congratulations, Compére Earl, Edward Hernandez. Vol 4, Issue 2 (Fall 2006).

Consorting with Kali: Migration and Identity in Naipaul’s “One Out of Many”, Paula Morgan. Vol 5, Issue 2 (Fall 2007).

Consuming the Caribbean: From Arawaks to Zombies by Mimi Sheller, Alison Van Nyhuis. Vol 4, Issue 1 (Spring 2006).

Consuming the Self: V.S. Naipaul, CLR James, and A Way in the World, Rhonda Cobham. Vol 5, Issue 2 (Fall 2007).

David Dabydeen and Turner’s Sublime Aesthetic, Sarah Fulford. Vol 3, Issue 1 (Spring 2005).

De Poem’s Birth, Opal Palmer Adisa. Vol 2, Issue 1 (Spring 2004).

Dr. Eric Williams’ Vision for the Development of Carnival, Hollis Liverpool (Chalkdust). Vol 3, Issue 2 (Fall 2005).

The Dragon Can Dance, Pearl Eintou Springer. Vol 4, Issue 2 (Fall 2006).

Earl Lovelace: Select Bibliography, Nadia I. Johnson. Vol 4, Issue 2 (Fall 2006).

Earl Lovelace’s “Unsalted” Indians, Vishnudat Singh. Vol 4, Issue 2 (Fall 2006).

Earl Lovelace’s Years in Washington, DC: A Personal Memoir, Greg Rigsby. Vol 4, Issue 2 (Fall 2006).

Electronic Fictions and Tourist Currents: Constructing the Island-Body in Kempadoo’s Tide Running, Jennifer Rahim. Vol 2, Issue 2 (Fall 2004).

“Everybody do the dance”: The Politics of Uniformity in Dancehall and Calypso, Kezia Page. Vol 3, Issue 2 (Fall 2005).

For Nothing At All by Garfield Ellis, Nadia I. Johnson. Vol 4, Issue 1 (Spring 2006).

Fresh Fish, Andrea Shaw. Vol 2, Issue 1 (Spring 2004).

Frieda Cassin’s With Silent Tread and the Specter of Leprosy in Antigua and Britain 1889-91, Sue Thomas. Vol 4, Issue 1 (Spring 2006).

From the “Crossroads of Space” to the (dis)Koumforts of Home: Radio and the Poet as Transmuter of the Word in Kamau Brathwaite’s “Meridian” and Ancestors, Loretta Collins. Vol 1, Issue 1 (Fall 2003).

Fugues, Fragments and Fissures—A Work in Progress, Marlene NourbeSe Philip. Vol 3, Issue 2 (Fall 2005).

Green Nana, Kim Dismont Robinson. Vol 2, Issue 1 (Spring 2004).

GUANAHANI, Lelawattee Manoo-Rahming. Vol 4, Issue 1 (Spring 2006).

GUARDIAN OF THE THRESHOLD, Lelawattee Manoo-Rahming. Vol 4, Issue 1 (Spring 2006).

Haiku, Annischa Cook. Vol 5, Issue 1 (Spring 2007).

“The history that had made me:” The Making and Self-making of V.S. Naipaul, Edward Baugh. Vol 5, Issue 2 (Fall 2007).

Home(land) or ‘Motherland’: Translational Identities in Andrea Levy’s Fruit of the Lemon, Şebnem Toplu. Vol 3, Issue 1 (Spring 2005).

I, The Supreme and Other Poems by Funso Aiyejina, Jennifer Rahim. Vol 4, Issue 1 (Spring 2006).

In Memoriam: Antonio Benítez-Rojo (1931-2005), Sandra Pouchet Paquet. Vol 3, Issue 1 (Spring 2005).

In the Battle for Emergent Independence: Calypsos of Decolonization, Ray Funk. Vol 3, Issue 2 (Fall 2005).

Interview with Felicity Aymer - AIDS, AIDS Activism, and Jamaica Kincaid’s My Brother, Diana Davidson. Vol 2, Issue 2 (Fall 2004).

Interview with Fred D’Aguiar, Joanne Hyppolite. Vol 2, Issue 1 (Spring 2004).

The Island and the Creation of (Hi)Story in the Writings of Michelle Cliff and Jamaica Kincaid, Florence Ramond Jurney. Vol 4, Issue 1 (Spring 2006).

Jamette Carnival and Afro-Caribbean Influences on the Work of Jean Rhys, Cynthia Davis. Vol 3, Issue 2 (Fall 2005).

Jamaica Kincaid’s The Autobiography of My Mother: Allegory and Self-Writing as Counter Discourse, Michelene Adams. Vol 4, Issue 1 (Spring 2006).

Keeping an eye on Naipaul: Naipaul and the Play of the Visual, Jean Antoine-Dunne. Vol 5, Issue 2 (Fall 2007).

The Language of Earl Lovelace, Merle Hodge. Vol 4, Issue 2 (Fall 2006).

A Mala in Obeisance: Hinduism in Select Texts by V.S. Naipaul, Vijay Maharaj. Vol 5, Issue 2 (Fall 2007).

Matura Days: A Memoir (For Earl), Lawrence Scott. Vol 4, Issue 2 (Fall 2006).

Men in the Yard and On the Street: Cricket and Calypso in Moon on a Rainbow Shawl and Miguel Street, Claire Westall. Vol 3, Issue 2 (Fall 2005).

Minting the Face of Empire: Coinage and the Shadow King in Lamming’s In the Castle of My Skin, Jessica Damián. Vol 2, Issue 1 (Spring 2004).

Monsters in Motion: Tracing the Silences in John Gabriel Stedman and William Blake, Esther M. Lezra. Vol 4, Issue 1 (Spring 2006).

The Most Anti-Castro City in the World, Fred D’Aguiar. Vol 2, Issue 1 (Spring 2004).

My Grandmother, Ian Tony Bennett. Vol 3, Issue 1 (Spring 2005).

Myrna Baez: Her Art and Her Identity, Maria de Jesus Gonzalez. Vol 5, Issue 1 (Spring 2007).

The Myth of Black Immigrant Privilege, Belinda Edmondson. Vol 4, Issue 1 (Spring 2006).

Namsetoura & the Companion Stranger, Kamau Brathwaite. Vol 1, Issue 1 (Fall 2003).

Naipaul’s Sense of History, Bridget Brereton. Vol 5, Issue 2 (Fall 2007).

The Nation/A World/A Place to be Human: Earl Lovelace and the Task of “Rescuing the Future”, Jennifer Rahim. Vol 4, Issue 2 (Fall 2006).

Navigating the Web of Place: Trapped Identities in Donna Hemans’ River Woman, Lorna Down. Vol 2, Issue 1 (Spring 2004).

NO-PEOPLE LAND, Lelawattee Manoo-Rahming. Vol 4, Issue 1 (Spring 2006).

(Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging In Selected Narratives of Migration, Jennifer Rahim. Vol 3, Issue 2 (Fall 2005).

OLEANDER SESTINA, Lelawattee Manoo-Rahming. Vol 4, Issue 1 (Spring 2006).

On the Way to Georgia, Nigel Assam. Vol 2, Issue 1 (Spring 2004).

Over the Roofs of the World by Olive Senior, Maria McGarrity. Vol 4, Issue 1 (Spring 2006).

Performance and Insurrection in Recent Caribbean Drama: Ivette Ramirez’s Family Scenes and David Edgecombe’s For Better or For Worse, Bernard McKenna. Vol 2, Issue 2 (Fall 2004).

Pointless Animation, Clarissa Lee. Vol 2, Issue 1 (Spring 2004).

Prospero’s Orphans in Uva de Aragón’s “Not the Truth, Not a Lie”, Jeffrey C. Barnett. Vol 5, Issue 1 (Spring 2007).

Reflections of a Legend, Louis Regis. Vol 3, Issue 2 (Fall 2005).

Religious Business, Tonya Hanyes. Vol 2, Issue 1 (Spring 2004).

Representations of the Body of the New Nation in The Harder They Come and Rockers, Ifeona Fulani. Vol 3, Issue 1 (Spring 2005).

Rèspé ba Matinik and for Aimé Césaire, Robert Bray. Vol 2, Issue 1 (Spring 2004).

“Return and Leave and Return Again”: Pauline Melville’s Historical Entanglements, Jordan Stouck. Vol 3, Issue 1 (Spring 2005).

“Self Searching for Substance”: The Politics of Style in Earl Lovelace’s A Brief Conversion and Other Stories, Carolyn Cooper. Vol 4, Issue 2 (Fall 2006).

The Shadow of Hanuman: V.S. Naipaul and the “Unhomely” House of Fiction, Jennifer Rahim. Vol 5, Issue 2 (Fall 2007).

Signifying Nothing: Writing about not Writing in The Mystic Masseur, Barbara Lalla. Vol 5, Issue 2 (Fall 2007).

Sorties (from a Miami journal), Jennifer Rahim. Vol 2, Issue 1 (Spring 2004).

Three Portraits, Jennifer Rahim. Vol 5, Issue 1 (Spring 2007).

Tidalectic Lectures: Kamau Brathwaite’s Prose/Poetry as Sound Space, Anna Reckin. Vol 1, Issue 1 (Fall 2003).

“To Speak of My Own Situation”: Touring the “Mother Periphery” in Jamaica Kincaid’s The Autobiography of My Mother, Terri Smith Ruckel. Vol 3, Issue 1 (Spring 2005).

Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History by Alison Donnell, Lara Cahill. Vol 5, Issue 1 (Spring 2007).

Two Kinds of Utility: England’s “Supremacy” and the Quest for Completion in David Dabydeen’s The Intended, Kevin Frank. Vol 3, Issue 1 (Spring 2005).

Unforgetting Trauma: Dionne Brand’s Haunted Histories, Erica Johnson. Vol 2, Issue 1 (Spring 2004).

Unmasking the Chantwell Narrator in Earl Lovelace’s Fiction, Funso Aiyejina. Vol 3, Issue 2 (Fall 2005).

V.S. Naipaul and the Interior Expeditions: “It is Impossible to Make a Step Without the Indians”, Sandra Pouchet Paquet. Vol 5, Issue 2 (Fall 2007).

Versions of X/Self: Kamau Brathwaite’s Caribbean Discourse, Kelly Baker Josephs. Vol 1, Issue 1 (Fall 2003).

The Vulnerable Observer: Self-Fashioning in Earl Lovelace’s Growing in the Dark (Selected Essays), Sandra Pouchet Paquet. Vol 4, Issue 2 (Fall 2006).

With a Tassa Blending: Calypso and Cultural Identity in Indo-Caribbean Fiction, Paula Morgan. Vol 3, Issue 2 (Fall 2005).

The Writer’s Escape, Opal Palmer Adisa. Vol 2, Issue 1 (Spring 2004).

X Press Publications: Pop Culture, “Pop Lit” and Caribbean Literary Criticism: An Essay of Provocation, Curdella Forbes. Vol 4, Issue 1 (Spring 2006).

“You'll Soon Get Used to Our Language”: Language, Parody and West Indian Identity in Andrea Levy’s Small Island, Cynthia James. Vol 5, Issue 1 (Spring 2007).